Mark Edward Lewis – Cinema Sound

Mark Edward Lewis – Cinema Sound

Salepage : Mark Edward Lewis – Cinema Sound Arichive : Mark Edward Lewis – Cinema Sound

42.2 GB

Description

In this detailed course, seasoned audio guru Mark Edward Lewis guides you through every aspect of sound that you’ll ever need to know as a filmmaker. Recording, dialogue, sound effects, foley, ADR, mixing, fixing – it’s all here for you to master in the most comprehensive audio-for-film series ever created.

Modules

Recording: Process, Perfection, and Purpose

Recording: Rules of Recording

Recording: Microphones & Other Weapons

Recording: Lavaliers and Other Munitions

Recording: Sonic Booms & Advanced Microphone T…

Recording: Recorders, Roll Sound, Now What?

Recording: Solving Issues on Set – An Antholog…

Recording: The Review

Recording: Shoot the Scenes

How Microphones are Made

Edit: Advanced Editing I

Edit: Advanced Editing II

Edit: Advanced Editing III

Edit: Final Edit

Edit: Export

Edit: SFX Editing Basics

Fix: Resurrecting Dead Audio Basics

Fix: Killing the Noise and Artifacts I

Fix: Killing the Noise and Artifacts II

Fix: Advanced Dialogue Cleanup I

Fix: Advanced Dialogue Cleanup II

Fix: Multiple Issues, Multiple Solutions

Fix: Dialogue to the Cleaners I

Fix: Dialogue to the Cleaners II

Fix: Dialogue to the Cleaners III

Fix: ADR Recording & Revolution

Fix: ADR Mixing

Fix: Dialogue Editing, Mixing & Export I

Fix: Dialogue Editing, Mixing & Export II

Fix: Dialogue Editing, Mixing & Export III

Fix: Killing the Noise & Artifacts in Adobe Au

Effects: An Intro to Sound Effects

Effects: Foley, Folks and Fun

Effects: Tips, Tricks and Terror

Effects: Loop Groups

Effects: Sound Effects Recording

Effects: Advanced Microphone Techniques

Effects: Basic Crunching of Recorded SFX

Effects: Advanced Crunching of Recorded SFX

Effects: Misusing Software for the Best Result…

Effects: The Art of Layering SFX

Effects: Ambiences

Music: Music, Emotion and Moving Pictures

Music: Choosing the Right Music

Music: Choosing the Right Music II

Music: Music Editing

Music: Music Editing II

Music: Working with the Composer

Music: The Process of Writing Music

Music: Better & Best Examples In Scenes

Mix: The Basics of Being a Master Mixer

Mix: Master of Plugin Effects I (Reverb)

Mix: Master of Plugin Effects II

Mix: Master of Plugin Effects III

Mix: Master of Plugin Effects IV

Mix: Master Mixer – Dialog I (Basics)

Mix: Master Mixer – Dialog II

Mix: Master Mixer – Dialog III (Action Mix)

Mix: Master Mixer – Dialog IV (Macbeth Mix)

Mix: Master Mixer – Dialog V (Beach Mix)

Mix: Master Mixer – Ambiences I

Mix: Master Mixer – Ambiences II

Mix: Master Mixer – Sound Effects

Mix: Master Mixer: Foley I (Macbeth Mix)

Mix: Master Mixer – Foley II (Action Mix)

Mix: Master Mixer – Foley III

Mix: Master Mixer – Music I

Mix: Master Mixer – Music II

Mix: Master Mixer – Integrate and Tweeze I

Mix: Master Mixer – Integrate and Tweeze II

Mix: Conform & Control Yourself

Mix: Mastering & Export

Mix: Downmixing, Organization & Cheating

Mix: The Mixing Breakdown

Mix: Internet Mixing, Loudness & Cheating

Workspace: Home Studio – Basics

Workspace: Home Studio – Advanced Knowledge

Inspiration: Inspiration, Vocation & Dedicatio…

Inspiration: Examples to Inspire